Your mad monk can't touch this guy. Beats Fence and the Orono conference too: Flarf beware!
Check out the Dec at:
Francis Dec
Thursday, January 15, 2009
Tuesday, January 13, 2009
Thoughts on a diamond-studded skull by Damien Hirst (draft 1/08)
Regard the diamond skull that artist Damien Hirst construed
could be derived from diamonds hard-wired on a frame of mesh in cornrows,
small quincunxes as neatly arrayed as rows in the garden of Cyrus--
consider the value of even those most tearless of eye-sockets,
their edgy hollows lachrymose with nothing but artworld track-light.
Artist Damien Hirst has made a masterpiece no one can afford--
not even the most star- or diamond-studded semi-celebrity.
No insurance plan no Lloyd's can underwrite for the little skull
suspended in the bullet-proof plexiglass cage of the London gallery
the same thickness as the walls before Cash for Checks cubicles.
The eye-beams that the diamonds bend
a skull size of a primate's
Each diamond on the skull refracts one point of light
cupping in its precious radius another viewer, eye that as it alters all
beams back each gaze that hails it, each flashbulb-popping
camera angle. What papparazi member is not astonied, awed?
Each eye-beam joins each beam of light every discreet gem bends--
grin that gapes back at its buyer wannabe, each inert eyesocket
invested with millions, a world of mineral wealth in a worm-hole.
Such the conceits the brain-vault beams to the absent cortex.
Piece de resistance: being pinned to a pedestal. All along
the thoughts a botoxed skulls beam back: regard my void.
could be derived from diamonds hard-wired on a frame of mesh in cornrows,
small quincunxes as neatly arrayed as rows in the garden of Cyrus--
consider the value of even those most tearless of eye-sockets,
their edgy hollows lachrymose with nothing but artworld track-light.
Artist Damien Hirst has made a masterpiece no one can afford--
not even the most star- or diamond-studded semi-celebrity.
No insurance plan no Lloyd's can underwrite for the little skull
suspended in the bullet-proof plexiglass cage of the London gallery
the same thickness as the walls before Cash for Checks cubicles.
The eye-beams that the diamonds bend
a skull size of a primate's
Each diamond on the skull refracts one point of light
cupping in its precious radius another viewer, eye that as it alters all
beams back each gaze that hails it, each flashbulb-popping
camera angle. What papparazi member is not astonied, awed?
Each eye-beam joins each beam of light every discreet gem bends--
grin that gapes back at its buyer wannabe, each inert eyesocket
invested with millions, a world of mineral wealth in a worm-hole.
Such the conceits the brain-vault beams to the absent cortex.
Piece de resistance: being pinned to a pedestal. All along
the thoughts a botoxed skulls beam back: regard my void.
Thursday, December 11, 2008
Artisanal cheese (Jaw Lock)
The public radio commentator du jour
complained about those country kitchens
through which his designer dog would run
during another afternoon soiree
in which the guests would mob
the selfsame drafty country kitchen
the roomiest room in the whole
renovated Home and Garden sort of home.
He'd flagged wedges of artisanal cheese
on the butcher-block table
of that drafty country kitchen,
but the dog had toppled them.
It was a big designer dog
furry and lovable in its way
but neither did it recognize
Thus moaned the commentator du jour
on public radio through locked jaws,
one who denies owning the world
exercising his privileges within it.
complained about those country kitchens
through which his designer dog would run
during another afternoon soiree
in which the guests would mob
the selfsame drafty country kitchen
the roomiest room in the whole
renovated Home and Garden sort of home.
He'd flagged wedges of artisanal cheese
on the butcher-block table
of that drafty country kitchen,
but the dog had toppled them.
It was a big designer dog
furry and lovable in its way
but neither did it recognize
Thus moaned the commentator du jour
on public radio through locked jaws,
one who denies owning the world
exercising his privileges within it.
Tuesday, December 9, 2008
Air Guitar
He'll be sought after by the quarterlies
and asked about his days in the wilderness
among the lumberjacks and stumps
Now he plays among the stars, and stretches
Before he goes, he'll get his parcel of the glory
a warm bed and socks and absolute power
and asked about his days in the wilderness
among the lumberjacks and stumps
Now he plays among the stars, and stretches
Before he goes, he'll get his parcel of the glory
a warm bed and socks and absolute power
Thursday, December 4, 2008
News from the guru
Don't have much to offer this month except old material dating from the 80s and 90s.
Imputed reader, enjoy.
Imputed reader, enjoy.
Wednesday, December 3, 2008
Cauliflower (84?)
I.
A boy exorcises morning with a cauliflower,
swinging it baton-like, lashing air as with a whip.
I watch the exorcism from a bus, the motor idling,
the windows bottle-green. I’ve had my fill.
The drooping, dusty underblades of leaf
guard off-white convolutions afternoon will blacken
when it brings me to Seville’s Moorish limits.
His flower falls like a careless judgement on the town:
walls of swank marinas spooled with razor wire
behind which the coast glitters fitfully
contaminated by a German joint concern,
then dusty corner shopfronts, their comestible signs
tilted over mottled picture windows, in back some tapas,
seafruits, exorbitant beside undusted nectarine cartons,
peach, pear, pina, the winds from Africa.
II.
Wanderlust led them to Andalus
where aqueducts totter by orange mounds.
The Roman concrete is turning into sand.
Unmoved when advertisements peel from walls
or whitewash from imitation Moorish arches
gypsies mob the train station
in which a fretwork of schedules
wrinkle like seersucker fabric under glass --
dismissed by a single hand, a wrist-flick,
the flower-head, rolling like a planet -- benedicite.
III.
Rosettes in cathedral limestone
flowers that last, like stained glass
petals tracking limestone floors
regime upon regime,
unlike a cauliflower
in the hand of thief or farmer--
blacker convolutions
framing off-white effulgence.
IV.
It must be a beauty then -- why otherwise whistle
at world's-end, off-season Malaga, the apex
of this hotspot a park where black swans float
through reflections of public flora, coarse, orange,
beyond which hotels lean into the Costa del Sol
like stacks of beige cafeteria dinnerplates--
as if reflected by trick mirrors, or mirrors
in hotel lobbies, reclining from Torremolinos,
a coastline of drab, overpriced clipjoints,
tattoists, false oracles.
He leaps above
the virgin's sidewalk portrait
Euro-hippies chalk in, her lids marbly arcs
ephemeral as greasepaint. Her mantle's azure
fills the grid in. No one's invited to follow.
A boy exorcises morning with a cauliflower,
swinging it baton-like, lashing air as with a whip.
I watch the exorcism from a bus, the motor idling,
the windows bottle-green. I’ve had my fill.
The drooping, dusty underblades of leaf
guard off-white convolutions afternoon will blacken
when it brings me to Seville’s Moorish limits.
His flower falls like a careless judgement on the town:
walls of swank marinas spooled with razor wire
behind which the coast glitters fitfully
contaminated by a German joint concern,
then dusty corner shopfronts, their comestible signs
tilted over mottled picture windows, in back some tapas,
seafruits, exorbitant beside undusted nectarine cartons,
peach, pear, pina, the winds from Africa.
II.
Wanderlust led them to Andalus
where aqueducts totter by orange mounds.
The Roman concrete is turning into sand.
Unmoved when advertisements peel from walls
or whitewash from imitation Moorish arches
gypsies mob the train station
in which a fretwork of schedules
wrinkle like seersucker fabric under glass --
dismissed by a single hand, a wrist-flick,
the flower-head, rolling like a planet -- benedicite.
III.
Rosettes in cathedral limestone
flowers that last, like stained glass
petals tracking limestone floors
regime upon regime,
unlike a cauliflower
in the hand of thief or farmer--
blacker convolutions
framing off-white effulgence.
IV.
It must be a beauty then -- why otherwise whistle
at world's-end, off-season Malaga, the apex
of this hotspot a park where black swans float
through reflections of public flora, coarse, orange,
beyond which hotels lean into the Costa del Sol
like stacks of beige cafeteria dinnerplates--
as if reflected by trick mirrors, or mirrors
in hotel lobbies, reclining from Torremolinos,
a coastline of drab, overpriced clipjoints,
tattoists, false oracles.
He leaps above
the virgin's sidewalk portrait
Euro-hippies chalk in, her lids marbly arcs
ephemeral as greasepaint. Her mantle's azure
fills the grid in. No one's invited to follow.
Between ('94)
Who knows who you will cross in a library
other than schoolkids eager to scan microfilm
or transients who use the chairs to doze
because they're padded, or lapsed academics
attempting to find more time in which to learn
or the wealthy widow looking for a mystery?
Often they're people who just don't know what to do
with all time on their hands, too curious to sleep,
too tired to read, amorous enough to cut the pages
from Esquire perhaps. For them life lacks secrets
while for the schoolkids it promises. So curiosity
moves them to read about dinosaurs without
the first thought being the cause of extinction.
After all that grazing prehistoric grass, no matter
how many flowers on the prairie they scattered--
by comets stoned, weather starved, dinosaurs were passé.
But the kids are too busy to mock regulars who snooze
on mounds of dailies, or crackpots whose theories
academies refuse to confirm. Surrounded by chances
for a better life they cannot use, better they rest
as if a bed of news features and stock market reports
were a tarpit, a place for bones to lie
between destinations, one meant, but one approaching.
other than schoolkids eager to scan microfilm
or transients who use the chairs to doze
because they're padded, or lapsed academics
attempting to find more time in which to learn
or the wealthy widow looking for a mystery?
Often they're people who just don't know what to do
with all time on their hands, too curious to sleep,
too tired to read, amorous enough to cut the pages
from Esquire perhaps. For them life lacks secrets
while for the schoolkids it promises. So curiosity
moves them to read about dinosaurs without
the first thought being the cause of extinction.
After all that grazing prehistoric grass, no matter
how many flowers on the prairie they scattered--
by comets stoned, weather starved, dinosaurs were passé.
But the kids are too busy to mock regulars who snooze
on mounds of dailies, or crackpots whose theories
academies refuse to confirm. Surrounded by chances
for a better life they cannot use, better they rest
as if a bed of news features and stock market reports
were a tarpit, a place for bones to lie
between destinations, one meant, but one approaching.
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